Us/Them is about tragedy, yet jet black humour ensures you'll continue to think about it.

Dionne Christian talks to some of Pasifika's organisers.

The Far Side of the Moon still appealing to audiences, 20 years after it first played.

Wear rags to dress like refugees, kids told.

Prisoners benefit from more positive learning experiences but funding short.

Silo Theatre's Body Double gives a feminist take on sex and desire, says Janet McAllister.

Why is Auckland Council downplaying the importance of the arts and sport in its new plans?

Nominees for NZ's Walters Prize are outstanding examples of contemporary art, says judges.

The TimeOut and Arts team pick their places to be this weekend.

Much-loved Reg Livermore is in town to perform Bernstein's operetta Candide.

A writer has been given the chance to share Te Arawa stories as comics, but needs help.

No revisiting has been anywhere near as radical as Richter's.

David Fa'auliuli Mamea's one-woman play is a charming chamber production.

This driver's fake licence wasn't fooling anyone.

Northern Advocate chief reporter Mike Dinsdale chats with a bona fide reggae legend.

Writers Festival stars reveal the ones that got away.

Story of a dancing queen is packed with advice, writes Dionne Christian.

The bros are buffed and ready for magic with a little help from Les Mills.

Jack Charles, a drug addict for 40 years and a prisoner for 20 of those, argues his case.

Avant-garde ensemble From Scratch take fans on a trip to savour, writes William Dart.

Royal New Zealand Ballet culture given the all-clear after years of artistic turbulence

World-renowned New York composer's bespoke gift is icing on the cake for NZ string trio.

Battle rap and traditional Samoan oratory go head to head in Auckland Arts Festival show.

A possible miscarriage of justice highlighted by Shakespeare gets second hearing.

Wynyard Quarter Silos are a fascinating place to make music from, says pianist.

Choreographer Michael Parmenter's long-dreamed of Orpheus is sublime, says Raewyn Whyte.

Classiest of boy bands shows how pop anthems become secular anthems, writes William Dart

Theatremaker Ahi Karunaharan delivers seven fine stories in seven sips, says Dione Joseph.

Auckland Arts Festival seeks shows to appeal to young audiences; Junk was an absolute gem.

Putting George Orwell's dystopia onstage is a way to skewer our era of alternative facts.