
The Edge of Seventeen 'authentic and charming'
Hailee Steinfeld's new movie has earned her much praise, but is it any good?
Hailee Steinfeld's new movie has earned her much praise, but is it any good?
The problem with Passengers is how the dodgy premise detracts from feeling the story or characters.
La La Land is an iridescent sparkle of a film that lasts all the way to a clever, perfect ending.
A film with a signature song entitled How Far I'll Go, Moana could have done with taking things a little further.
Even though Sing doesn't have the depth of other recent animations, at this time of year not having to think too hard can be a blessing.
If mindfulness is on your list of New Year's resolutions, I can't recommend the film Paterson enough.
A Man Called Ove is both dourly funny and affecting. A bad-mood feel-good movie.
Frankly, Elle is a twisted little number that's weirdly entertaining.
This debut feature from Aussie theatre director Rosemary Myers is a welcome addition to the coming-of-age genre.
Office Christmas parties, much like New Year's Eve, International Talk Like a Pirate Day, and any other kind of scheduled fun, often
The new Irish comedy sees two teenagers find themselves in trouble with the police.
The documentary revolves around a comic book artist learning more about his family and their legacy.
A United Kingdom is a handsome, enjoyable historical drama, but doesn't quite reach the epic height it was aiming for.
Office Christmas Party veers into the ridiculous, but with a cast of likeable and quirky characters the wackiness works, without dazzling
This dull heap of action-fantasy mediocrity, one which wants to be Game of Fangs, is the fifth.
Sunset Song is a gorgeous slice of poetic realism which is as cruel and harsh as it is beautiful and lyrical.
There's little memorable about Trolls, but you got to hand it to these weirdly happy people - they sure know how to put a smile on a kid's face.
I'll admit that The Founder, the story of the birth of McDonald's, is a little harder to swallow than a cheeseburger and fries. The
The Founder is a bland movie which becomes less great American business saga, than a mildly engaging, mildly uncomplimentary Kroc biopic.
Crazy found-footage thriller Operation Avalanche has arrived just in time for the supermoon rising over the country, keeping us all
Fantastic Beasts feels like something darker, stranger and altogether much less of a theme park blueprint than the Potter movies.
Moon landing hoaxsters will undoubtedly be very happy with Operation Avalanche.
War on Everyone is a film that is remarkably tone deaf and quite awful.
In his 20th film, Spanish director Pedro Almodovar drops the farcical approach of his last, I'm So Excited!, and the chilling tone
Keeping up with film releases can sometimes feel like the entertainment selection on a long-haul flight. Every movie starts to blur
Following 2014's acclaimed Love Is Strange, Little Men is another very New York story with real estate concerns from director-writer Ira Sachs.
These doco directors brought clarity, perspective and humanity with The 5th Eye, which covers New Zealand's role in the Five Eyes spy alliance.
Arrival does have moments of story daftness, however, Adams' performance as Dr Louise Banks is terrific.
The Light Between Oceans, directed by Ryan Gosling fanboy Derek Cianfrance (Place Beyond the Pines, Blue Valentine) is the latest
REVIEW: Mel Gibson will be hoping that Hacksaw Ridge can reset the bones of a broken career.