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Movie review: <i>The Twilight Saga: Eclipse</i>
The latest film in the Twilight saga is a painfully slow game of love where no one scores, writes Jacqueline Smith.
Movie review: <i>Get Him to the Greek</i>
Get Him to the Greek is very much a satire, taking the mickey out of the music industry in general.
Movie review: <i>Dans Paris</i>
This downbeat French family drama is so dated I had to check my watch to make sure I had not been transported back to the 1970s.
Movie review: <i>Shrek Forever After</i>
Everyone's favourite ogre faces a midlife crisis in what might be the most serious Shrek movie of them all, writes Russell Baillie.
Movie review: <i>Amreeka</i>
Good-hearted but occasionally clunky, this story traverses rather belatedly the same territory as mainstream films like The Visitor.
Movie review: <i>Micmacs</i>
After the excesses of his epic World War I tale A Very Long Engagement, Jeunet seems to have to returned to the imaginative worlds of his earlier works.
Movie review: <i>The A-Team</i>
On paper, The A-Team movie reads like an over the top, ridiculous and inane blockbuster.
Movie review: <i>Sex and the City 2</i>
While the sequel is neither as hilarious or emotional as its predecessor, it at least ups the ante for endless wardrobe changes.
Movie review: <i>Street Dance 3D</i>
The first British film shot in 3D uses the technology to bring dance and cinema together in an exuberant way.
Movie review: <i>The Last Station</i>
This adaptation of Jay Parini's 1990 novel about the last year in the life of the great Russian novelist Count Leo Tolstoy is like a night at the theatre in London or New York.
Movie review: <i>The French Kissers</i>
In contrast to the teen-model stars of American romps, the kids look and act like real kids - and that's what makes the film so charming.